Quotes on Moment

You have 15-20 years of work for that one throw, that one moment. And I was like, 'Okay, Lord, this is it - you told me I had the victory. So this is the time to show me'. And I'm going to give it all I have because this is my last throw in the Olympics.

I think that in an Internet age, content is content. As long as you can stand up on the merits of what you're doing right at that moment and aren't just relying on your success in doing something else, it's all good; people will respect you.

You do the best job you can. You take it step by step. It's hard enough to make a movie. If it works, that's great. If it means something beyond the moment to somebody, they can take it and it lasts through the years, we'll see.

If I go into a studio and find my truth of the moment, there are a number of people in the world who can relate to what I'm saying and are going to buy into what I'm doing. Not because it's the new thing of the moment, but because it's genuine emotion. Its how I feel. This is how I articulate the world.

The best way I knew how was to give 110% and want it more than them, and walk on the court and every moment of the match feel like it was the end of the world, in a sense. So that worked for me in a lot of ways. There were times that it hurt me, but for the most part, it helped me.

When I shoot, I try to feel the body and the face and the weight of the actor, because the character until that moment is only in the pages of the script. And very often, I pull from the life of my actors. I'm always curious about what these characters and these actors are hiding about their lives.

At any given moment, we each face a barrage of obligations, often disparate and distinct from what we thought would happen when we woke up. From the tragic to the common to the extraordinary, life refuses to be divvied up into careful slices of time. No technology can manage to overcome the realities of reality.

A great hallmark of mental wellness is the ability to be in the present moment, fully and with no thoughts of being elsewhere.

The past is always - one moment it's what happened three minutes ago, and one minute it's what happened 30 years ago. And they flow into each other in ways that we can't predict and that we keep discovering in dreams, which keep bringing up feelings and moments, some of which we never actually saw.

We do not pray to God to instruct Him as to what He should do; neither for a moment must we presume to dictate the method of the divine working.

The facts tell us that no religious Faith releases - or ever has released at any moment in History - a higher degree of warmth, a more intense dynamism of unification than the Christianity of our own day - and the more Catholic it is, the truer my words.

There's always that moment on every movie where you just go, 'Okay, this is that moment. I'm about to potentially fall flat on my face, and I might as well just dive in and see what happens.'

In my own life I know that my state of cheerfulness is a reliable gauge of my level of spiritual enlightenment at that moment. The more cheerful, happy, contented, and satisfied I am feeling, the more aware I am of my deep connection to Spirit.

Learn from the past, set vivid, detailed goals for the future, and live in the only moment of time over which you have any control: now.

I think that my darkest moment was the Iraq war and the fact that we could not stop it.

If danger arises in the present moment, there may be an emotion. There may even be pain. But that's a challenge, not a problem. For a problem to exist, you need time and repetitive mind activity.

Every artist will one day face the moment when he or she is doing what he or she does after the style has passed and the art-world heat-seeking machine has moved on.

Without touching my subject I want to come to the moment when, through pure concentration of seeing, the composed picture becomes more made than taken. Without a descriptive caption to justify its existence, it will speak for itself - less descriptive, more creative; less informative, more suggestive - less prose, more poetry.

The writing I love has something memorable in it - an image, a smell. It's the connection between the moment and the whole concept, weaving the micro together with the macro so that it has a hold on people - that's writing.

Food that's served at the table in a paper parcel always creates a remarkable culinary moment when opened, because the package is full of aromatic steam from the lightly cooked ingredients inside.

You can think you're living in the moment and you're thankful, but when somebody comes face to face with you and says, 'I just lost my child,' or 'I have months to live, and thank you...' I'm of course sad for them, but I'm thankful that I gave them a gift and they're giving me a gift.