Quotes on Painting

My sister-in-law is a painter, and I'll say, how long did it take you to paint that painting. She'll say, It took me maybe three days, but it took me all my life to get the skills to paint that painting.

Abstract is not a style. I simply want to make a surface work. This is just a use of space and form: it's an ambivalence of forms and space.

No good to paint in the head - what happens is what happens when you put the paint down - you can only hope that you are alert - ready - to see. What joy it is for paint to become a thing - a being. Believe in this miracle - it is your only hope. To will this transformation is not possible. Only a slow maturation can prepare the hand and eye to become quicker than ever. Ideas about art don't matter. They collapse anyway in front of the painting.

Every time I paint a portrait I lose a friend.

I am not the kind of director who sits in a chair smoking a cigar talking with a microphone to 10 assistants. I need to move. To touch. To put a painting on a wall. To arrange a set.

For me painting is a dramatic action in the course of which reality finds itself split apart

I wrote 'My Name is Red' just to remember painting, where the hand does it before the intellect. When I'm captive to it, I'm a happier person. Kierkegaard tells us that a happy person is someone who lives in the present; the unhappy person, someone who lives either in the past or the future.

Tea is a work of art and needs a master hand to bring out its noblest qualities. We have good and bad teas, as we have good and bad paintings - generally the latter.

Over time, I have come to see the work of literature less as narrating the world than "seeing the world with words." From the moment he begins to use words like colors in a painting, a writer can begin to see how wondrous and surprising the world is, and he breaks the bones of language to find his own voice. For this he needs paper, a pen, and the optimism of a child looking at the world for the first time.

A painting is nothing more than light reflected from the surface of a pigment-covered canvas. But a great painter can make you see the depth, make you feel the underlying emotion, make you sense the larger world. That, too, is the power of science: to sense and convey the depth and dimensionality of nature, to glance at the surface and to divine the shape of the universe around us.

If you do things, whether it's acting or music or painting, do it without fear - that's my philosophy. Because nobody can arrest you and put you in jail if you paint badly, so there's nothing to lose.

Everybody thinks they know what art should be. But very few of them have the sense that is necessary to experience painting, that is the sense of sight, that sees colors and forms as living reality in the picture.

For the historian everything begins and ends with time, a mathematical, godlike_x000D_ _x000D_ time, a notion easily mocked, time external to men, 'exogenous,' as economists_x000D_ _x000D_ would say, pushing men, forcing them, and painting their own individual times_x000D_ _x000D_ the same color: it is, indeed, the imperious time of the world.

The greatest advances of civilization, whether in architecture or painting, in science and literature, in industry or agriculture, have never come from centralized government.

I love to draw-pencil, ink pen-I love art. When I go on tour and visit museums in Holland, Germany or England-you know those huge paintings?-I'm just amazed. You don't think a painter could do something like that. I can look at a piece of sculpture or a painting and totally lose myself in it.

Colors in painting are as allurements for persuading the eyes, as the sweetness of meter is in poetry.

I want a painting to be difficult to do. The more obstacles, obstructions, problems - if they don't overwhelm - the better. I would like to feel that I am involved at any stage of the painting with all its moments, not just this 'now' moment where a superficial grace is so available.

A brain scan may reveal the neural signs of anxiety, but a Kokoschka painting, or a Schiele self-portrait, reveals what an anxiety state really feels like. Both perspectives are necessary if we are to fully grasp the nature of the mind, yet they are rarely brought together.

Painting isn't an aesthetic operation; it's a form of magic designed as mediator between this strange hostile world and us.

Until I saw Chardin's painting, I never realized how much beauty lay around me in my parents' house, in the half-cleared table, in the corner of a tablecloth left awry, in the knife beside the empty oyster shell.

But I owe something to Vincent, and that is, in the consciousness of having been useful to him, the confirmation of my own original ideas about painting. And also, at difficult moments, the remembrance that one finds others unhappier than oneself.