If you really want to be an artist, you search yourself, and you find a lot of it comes from earlier times. I have pretty much built the work around my experiences. When I've moved from one place to another, the work has changed.
Claes OldenburgRead
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If you really want to be an artist, you search yourself, and you find a lot of it comes from earlier times. I have pretty much built the work around my experiences. When I've moved from one place to another, the work has changed.
As women, we get the message about how to be a good girl - how to be a good, pretty girl - from such an early age. Then, at the same time, we're told that well-behaved girls won't change the world or ever make a splash.
The culture at Valve is pretty much crowdsourced. The handbook is a wiki. One of the first things we say to new hires is, 'You have to change something in the handbook.'
I watched pretty much every coming out video on YouTube that has ever been posted; I watched it in between 14 and a half and 15. Those coming out videos, and those people on YouTube, those brave, brave, brave people on YouTube, without them, I don't know where I'd be.
'Middle class' used to be synonymous with secure, with steady, with boring, because middle-class people were people who were pretty much safe from the time they first started work on through retirement and until their deaths. No longer.
I was scared many times on Everest, but this is all part of the challenge. When I fell down a crevasse, it was pretty scary.
Most of us cluster somewhere in the middle of most statistical distributions. But there are lots of bell curves, and pretty much everyone is on a tail of at least one of them. We may collect strange memorabilia or read esoteric books, hold unusual religious beliefs or wear odd-sized shoes, suffer rare diseases or enjoy obscure movies.
A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
Old age treats freelance writers pretty gently.
I go about the world, hand outstretched, and in the stadiums I plead, 'A pretty move, for the love of God.' And when good football happens, I give thanks for the miracle, and I don't give a damn which team or country performs it.
Anyone who thinks that people can be fooled or pushed around has an inaccurate and pretty low estimate of people - and he won't do very well in advertising.
The universe is very big - there's about 100,000 million galaxies in the universe, so that means an awful lot of stars. And some of them, I'm pretty certain, will have planets where there was life, is life, or maybe will be life. I don't believe we're alone.
You look at marketing: everything that's happening in marketing is digitized. Everything that's happening in finance is digitized. So pretty much every industry, every function in every industry, has a huge element that's driven by information technology. It's no longer discrete.
Most bands out there are basically pretty boring. I try to affect people inside their bodies.
Let's pretend my career in music is a bell. Whether you like my music or not is up to you. But you've got to admit I rang that bell pretty hard and pretty often.
I have a lot of what you might call creative self-loathing - I have pretty high expectations, and they seem to consistently be higher than what I'm able to accomplish.
I don't think I'm fearless at all. I think anybody who says they're fearless doesn't last very long. I think I'm pretty cautious, actually.
You go through stages in your career that you feel very good about yourself. Then you feel awful, like, 'Why didn't I choose something else?' But overall I'm pretty satisfied that I made the right choice when I decided to be an actor.
When my record company rejected 'Full Moon Fever', I was hurt so bad. I was pretty far along in my career at that point. I'd never had anything rejected; I'd never really even had a comment. So when that happened, it was really just a board to the forehead. But then, finally, I picked myself up.
Having children, they're not your property. They need to figure out their own views. I think my daughters have a pretty healthy self-awareness, but I can't speak on their behalf.
I believe that music is a spiritual language. My everyday self is pretty mundane and boring, but when I'm making music it allows for me to communicate a kind of transcendence that I can't communicate otherwise.
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