The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
Henri Cartier-BressonRead
There is no closed figure in nature. Every shape participates with another. No one thing is independent of another, and one thing rhymes with another, and light gives them shape.
Interpretation
This quote reflects the interconnection of all things in nature, emphasizing that nothing exists in isolation.
Henri Cartier-Bresson's quote highlights the idea that in nature, all shapes and forms are interconnected and influence one another. This interconnectedness suggests that nothing is truly independent; every element of nature is linked in harmony, creating a beautiful symphony where light plays a crucial role in defining and shaping these relationships.
In practice
In a speech about environmental conservation, I would quote this to illustrate the importance of preserving ecosystems.
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
Photography has not changed since its origin except in its technical aspects, which for me are not important.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
Ahead and to the west was our ranger station - and the mountains of Idaho, poems of geology stretching beyond any boundaries and seemingly even beyond the world.
Environmental justice [means that] no community should be saddled with more environmental burdens and less environmental benefits than any other.
If you take a flower in your hand and really look at it, it's your world for a moment.
The grass he walked through was new and a sweet smell clung to his clothes. There was blue dye on his hands from the wild irises... that the color of the sky was a shade that could never be replicated in any photograph, just as Heaven could never be seen from the confines of Earth.
Love is a powerful tool, and maybe, just maybe, before the last little town is corrupted and the last of the unroaded and undeveloped wildness is given over to dreams of profit, maybe it will be love, finally, love for the land for its own sake and for what it holds of beauty and joy and spiritual redemption that will make [wilderness] not a battlefield but a revelation.
Ability to see the cultural value of wilderness boils down, in the last analysis, to a question of intellectual humility. The shallow-minded modern who has lost his rootage in the land assumes that he has already discovered what is important.
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