The life of a designer is a life of fight. Fight against the ugliness. Just like a doctor fights against disease. For us, the visual disease is what we have around, and what we try to do is cure it somehow with design.
Massimo VignelliRead
A designer without a sense of history is worth nothing
Interpretation
A successful designer must understand and appreciate historical context to create meaningful work.
Massimo Vignelli emphasizes the importance of historical awareness in design. Without a sense of history, a designer lacks the depth and context needed to innovate and contribute effectively to the field, making their work less valuable.
In practice
Using this quote in a design workshop to highlight the significance of historical influences.
The life of a designer is a life of fight. Fight against the ugliness. Just like a doctor fights against disease. For us, the visual disease is what we have around, and what we try to do is cure it somehow with design.
Designers take care of everything around us. Everything that is around us, this table, this chair, this lamp, this pen has been designed. All of these things, everything has been designed by somebody.
Styles come and go. Good design is a language, not a style.
Design without discipline is anarchy, an exercise of irresponsibilit y.
Good design is ubiquitous and forever.
I see graphic design as the organization of information that is semantically correct, syntactically consistent and pragmatically understandable.
The arts can enrich all of us in this nation as individuals. The arts can enrich all of our communities and the country. And the arts can connect us to each other like nothing else can.
As the beautiful does not exist for the artist and poet alone—though these can find in it more poignant depths of meaning than other men—so the world of Reality exists for all; and all may participate in it, unite with it, according to their measure and to the strength and purity of their desire.
If everyone worked with wide-angle lenses, I'd shoot all my films in 75mm, because I believe very strongly in the possibilities of the 75mm.
Can one think that because we are engineers, beauty does not preoccupy us or that we do not try to build beautiful, as well as solid and long lasting structures? Aren't the genuine functions of strength always in keeping with unwritten conditions of harmony? ... Besides, there is an attraction, a special charm in the colossal to which ordinary theories of art do not apply.
Many really good films allow us to empathize with other lives.
To be a good writer, you not only have to write a great deal but you have to care. You do not have to have a complicated moral philosophy. But a writer always tries, I think, to be a part of a solution, to understand a little about life and to pass this on.
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