Look, architecture has a lot of places to hide behind, a lot of excuses. "The client made me do this." "The city made me do this." "Oh, the budget." I don't believe that anymore.
Frank GehryRead
I make a model of the site. There are some obvious things: where the entrance should be, where the cars have to go in. You start to get the scale of it. You understand the client's needs, and what the client is hoping for and yearning for.
Interpretation
The quote emphasizes the importance of understanding the client's vision and the practical aspects of design.
Frank Gehry highlights the process of designing a space by first creating a model, which helps in visualizing the layout and scale of the site. He points out that this approach allows the designer to grasp the client's needs and aspirations, making it crucial for successful architectural work.
In practice
An architect could use this quote when presenting a new project to explain the importance of client collaboration.
Look, architecture has a lot of places to hide behind, a lot of excuses. "The client made me do this." "The city made me do this." "Oh, the budget." I don't believe that anymore.
Your best work is your expression of yourself.
My only extravagance in life is my sailboat. I'm bonkers about that, but other than that, I don't spend money on myself.
For me, every day is a new thing. I approach each project with a new insecurity, almost like the first project I ever did. And I get the sweats. I go in and start working, I'm not sure where I'm going. If I knew where I was going I wouldn't do it.
Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
An architect is given a program, budget, place, and schedule. Sometimes the end product rises to art - or at least people call it that.
Ideas aren't real estate, they grow collectively and that knocks out the egotistical loneliness that generally infects art.
That for me was the big turning point in my artistic life, when my wife and I had our kids. The world got infused with morality again. Every person in the world should theoretically be loved as much as I love my daughters.
Music is my way of taking my mind away from the game. When I'm singing, you don't got anything to worry about. Don't gotta worry about scoring however many points or winning the game. No matter how good or how bad you are, it's fun.
I think of childhood as an explosion of creativity. For most people, growing up and earning a living means leaving all that behind. But an artist never leaves that behind. Edwin Mullhouse was my way of exploring the child as artist and, under the guise of childhood, something larger.
I always give the example, if you turn on the radio today, black radio, Lenny Kravitz is not black. Bob Marley wasn't black: in the beginning, only white college stations played Bob Marley.
You see a script, and you say, 'Oh, I can play the heck out of that,' talk to your agent, and he says they don't want to see you. That's heartbreaking.
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