Don't we forgive everything of a lover? We forgive selfishness, desire, guile. As long as we are the motive for it...There are some European words you can never translate properly into another language.
Michael OndaatjeRead
It doubles your perception, to write from the point of view of someone you're not.
Interpretation
What this quote means
Writing from another's perspective enhances your understanding and empathy.
This quote emphasizes the power of writing as a means of exploring different perspectives and experiences. When an author adopts a point of view that is not their own, it can lead to a deeper understanding of diverse lives and feelings, ultimately broadening their own perception and empathy towards others.
Themes
PerspectiveEmpathyWritingUnderstandingCreativity
In practice
Example use cases
In a creative writing workshop, to encourage students to explore different narratives.
More from Michael Ondaatje
All quotes →When we are young we do not look into mirrors. It is when we are old, concerned with our name, our legend, what our lives will mean to the future. We become vain with the names we own, our claims to have been the first eyes, the strongest army, the cleverest merchant. It is when he is old that Narcissus wants a graven image of himself.
Michael OndaatjeRead
Water is the exile, carried back in cans and flasks, the ghost between your hands and your mouth.
Michael OndaatjeRead
You must talk to me, Caravaggio. Or am I just a book? Something to be read, some creature to be tempted out of a loch and shot full of morphine, full of corridors, lies, loose vegetation, pockets of stones.
Michael OndaatjeRead
You don't want to write your own opinion, you don't want to just represent yourself, but represent yourself through someone else.
Michael OndaatjeRead
A man in a desert can hold absence in his cupped hands, knowing it is something that feeds him more than water.
Michael OndaatjeRead
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In a way, her strangeness, her naiveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like an artist with no art form, she became dangerous.
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What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
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