The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
Henri Cartier-BressonRead
A photographer is part pick-pocket and part tightrope dancer.
Interpretation
This quote highlights the dual nature of a photographer's craft, combining stealth and balance.
Henri Cartier-Bresson's quote emphasizes the intricate skills involved in photography. A photographer must be quick and observant like a pick-pocket, capturing fleeting moments, while also maintaining a delicate balance akin to a tightrope dancer, ensuring that their artistic vision is executed flawlessly without losing the spontaneity of the moment.
In practice
In a photography workshop, this quote can inspire participants to embrace the duality of their expertise.
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
Photography has not changed since its origin except in its technical aspects, which for me are not important.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
My weakness has always been to prefer the large intention of an unskilful artist to the trivial intention of an accomplished one: in other words, I am more interested in the high ideas of a feeble executant than in the high execution of a feeble thinker.
Writing songs used to be my hobby; it used to be my getaway.
I think that youβve got to make something that pleases you and hope that other people feel the same way.
Prose is admittedly an art rooted in social intercourse, and a fiction writer is faster to find a common denominator with his cell mates than a poet is.
The gamble of literature is that I make the best work I can; the most truthful, the most representative of how I see things. I try and do that and then I put it out there and say to you, "What do you think?" I hope that you think well of it, obviously.
I was interested in ideas, not merely visual products. I wanted to put painting once again at the service of the mind.
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