The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
Henri Cartier-BressonRead
Photographers deal in things which are continuously vanishing.
Interpretation
This quote reflects the transient nature of moments captured in photography.
Henri Cartier-Bresson emphasizes that photographers work with fleeting moments that are constantly disappearing, highlighting the importance of capturing the essence of life as it occurs. This observation suggests that photography is not just about the images created but also about the impermanence and beauty of life itself, as every moment is unique and quickly becomes part of the past.
In practice
Using this quote during a photography exhibition to reflect on the essence of captured moments.
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
Photography has not changed since its origin except in its technical aspects, which for me are not important.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
I feel a lot of pressure when I'm writing because I know, you know, if they looked at a synopsis of the book, what they read could only confirm all the stereotypes that they have about us and about people like us.
The writer probably knows what he meant when he wrote a book, but he should immediately forget what he meant when he's written it.
Generally, we use light to illuminate other things. I like the thingness, the materiality of light itself. So it feels like it's occupying the space, making a plane, being something that was there, not just passing through. Because light is just passing through. I make these spaces that seem to arrest it for our perception.
Music is the brandy of the damned.
Music is a defining element of character.
Many claim I am a photographer of tragedy. In the greater sense I am not, for though I often photograph where the tragic emotion is present, the result is almost invariably affirmative.
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