The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
Henri Cartier-BressonRead
Photography is, for me, a spontaneous impulse coming from an ever attentive eye which captures the moment and its eternity.
Interpretation
Photography captures fleeting moments through a mindful perspective.
This quote by Henri Cartier-Bresson emphasizes the idea that photography is not just a technical skill but an artistic expression deeply rooted in observation and intuition. It suggests that a true photographer has a keen awareness of their surroundings and can seize the essence of a moment, preserving it forever in an image that reflects both the transient and the eternal aspects of life.
In practice
During a photography exhibition to illustrate the art of capturing moments.
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
Photography has not changed since its origin except in its technical aspects, which for me are not important.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
I'm free. I just do what I want, say what I want, say how I feel, and I don't try to hurt nobody. I just try to make sure that I don't compromise my art in any kind of way, and I think people respect that.
Architecture is a hazardous mixture of omnipotence and impotence. It is by definition a c h a o t i c a d v e n t u r e... In other words, the utopian enterprise.
I paint people, not because of what they are like, not exactly in spite of what they are like, but how they happen to be.
Don't forget - no one else sees the world the way you do, so no one else can tell the stories that you have to tell.
You don't write for success. That takes part of your attention away from the writing. If you're really doing it, that's all you're doing: writing.
Right from the outset, the prevailing mindset in British comics fandom was a radical and progressive one. We were all proto-hippies, and we all thought that comics would be greatly improved if everything was a bit psychedelic like Jim Steranko.
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