I continue to write essays about art. The visual is always part of my work, and it gives me immense pleasure to make up the words of art and create them verbally rather than build them.
Siri HustvedtRead
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I continue to write essays about art. The visual is always part of my work, and it gives me immense pleasure to make up the words of art and create them verbally rather than build them.
There is a great difference between discoveries and inventions. With discoveries, one can always be skeptical, and many surprises can take place. In the case of inventions, surprises can really only occur for people who have not had anything to do with it.
In Saudi Arabia, they always tell us we are queens. We are pistachios. You know the nut? Like something that is protected. So even if you have a very good education, restraints are put on women.
I'm always trying to prove to my 17-year-old self that I can do creative things I thought weren't possible.
Wall Street is always too biased toward short-term profitability and biased against long-term growth.
The older I grow the more I see the influence of my family on my life. I didn't always see it. It was up to our parents to see that we had our education in a town that hadn't yet realized what racial prejudice was but actually knew and practiced it on occasion.
In a way, I'm always trying to do something I'm not qualified to do. So I feel that lack of qualification. And I'm scared. And I have a tendency to think things may not/probably won't work out. That's my basic mindset.
Whenever I switch from one character to another, there's always a few days where I really struggle because I'm changing voices and I'm changing ways of looking at the world. I'm not just flicking a switch; it's harder process than that.
It was - I'm very didactic in my lyrics, but I've always been drawn to mock my own emotions, and so I write this very lyric-heavy stuff, which suits theater and comedy much more than it suits pop.
I always say: a run in the morning is like eating a fruit a day - it chases he doctor away. It is good for your mind.
I'll always understand the Schadenfreude aspect to short-selling. I get that no one will always like it. I'm also convinced to the deepest part of my bones that short-selling plays the role of real-time financial watchdog. It's one of the few checks and balances in the market.
I will never ally with Islamophobes and racists. But in the choice between 'community' and Muslim women, I will always choose my sisters.
Girls have always read comics. There's nothing intrinsically masculine about telling stories with pictures.
The bastard form of mass culture is humiliated repetition... always new books, new programs, new films, news items, but always the same meaning.
My mother always used to say, 'Well, if you had been born a little girl growing up in Egypt, you would go to church or go to worship Allah, but surely if those people are worshipping a God, it must be the same God' - that's what she always said. The same God with different names.
I always had an affinity for older people. I had a job delivering newspapers, and one place I had to go was an old people's home. Some people would introduce you to their neighbors as if you were a nephew or grandson. They didn't get many visitors, so they acted like you were coming to see them. And that stuck with me for a long time.
I think the problem is, exceptional women will always succeed. But there are plenty of less-exceptional men who succeed. Until we get the less-exceptional women succeeding equally, we do not have full equality.
One thing I've always loved about the culture at Microsoft is there is nobody who is tougher on us, in terms of what we need to learn and do better, than the people in the company itself. You can walk down these halls, and they'll tell you, 'We need to do usability better, push this or that frontier.'
Becoming a parent has changed the risk calculus for me. But it might be age, too, and seeing a lot of friends die in the mountains. Will I take the same risks I took in my 20s? Probably not, but I will always push myself in the mountains.
I was always writing for myself. I wrote what I needed to write and hear - that's what makes it powerful.
I always felt a little worm inside me: 'Now you need to write a novel with a woman protagonist.'
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