A big part of the job of being a showrunner is, in my way of thinking, being a good communicator because there's really no other way to have hope for getting what you want, at the end of the day.
Vince GilliganRead
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A big part of the job of being a showrunner is, in my way of thinking, being a good communicator because there's really no other way to have hope for getting what you want, at the end of the day.
In America we have big issues with education - in impoverished communities especially. I work with Teach For All, and so we're encouraging more people to get into teaching.
One of my big goals as a human being is to continue to write what's really happening to me, even if it's a tough pill to swallow for people around me... I do fear that if I ever were to have someone in my life who mattered, I would second-guess every one of my lyrics.
If the pitch starts with a sob story, I'm out. If the pitch talks about personal issues, I'm out. If the pitch starts off with how big the market opportunity is, I'm out. If the pitch tells me what is unique about the product, how it can make a profit, and it's an area where I have expertise, I will read on.
I basically have my life today as a result of what I did as a child. What did I miss out on? Yeah, I missed not hanging out at shopping malls, I guess, but that is not a big deal because you don't get a medal for that.
Big companies have trouble with innovation. Innovation is about bad ideas, or ideas that look like bad ideas. That's the fundamental thing.
I'm not pessimistic about Africa. The cities just seem big and hopeless. But there's still a great green heart where there's possibility. There's hope in the wilderness.
We all need poetry. The moments in our lives that are characterized by language that has to do with necessity or the market, or just, you know, things that take us away from the big questions that we have, those are the things that I think urge us to think about what a poem can offer.
There are big questions science doesn't answer, such as why is there something rather than nothing? There can't be a scientific answer to that because it's the answer that precedes science.
In California, there are huge problems because of dams. I'm against big dams, per se, because I think that they are economically unfeasible. They're ecologically unsustainable. And they're hugely undemocratic.
I think for female filmmakers a big issue is making their second and third films.
We may have to learn to live with cancer rather than die of it. It means a big change in our mindset and how we do research. We haven't quite reached there yet.
Forces that you might think are utterly unrelated to creativity can have a big impact. Technology, obviously, but environment, too. Even financial structures can affect the actual content of a song. The making of music is profoundly affected by the market.
To a poet, it's quite ruinous to have a poem distorted, out of shape, or squeezed, shall we say, into this tiny screen. But I'm not sure big digital companies are sensitive to the needs of poets.
It's great if a pilot starts off great and if it doesn't start off so great it's not that big a deal: everybody's baby is born ugly. But you want to know, if given the opportunity: Where are we going? What's the story we're trying to tell?
By definition, big data cannot yield complicated descriptions of causality. Especially in healthcare. Almost all of our diseases occur in the intersections of systems in the body.
When you're 0-2 in the Super Bowl, they say unkind things about you. They say, 'He can't win the big one.' And that's the worst thing that can be said about you.
I went to medical school because I wanted to ask the big questions. Do we have a soul? Does God exist? What happens after death?
The first thing to recognize not just about Afghanistan but about any poor undeveloped country is that as big as it looks on the map, it's much bigger when you're there.
If you talk to any filmmaker, and if you said to them, 'I guarantee you x amount of money per month for the rest of your life, and it's not a big amount of money, but I can also guarantee that you will work continually, you will get to make what you want to make,' any filmmaker on the planet will make that kind of deal. I would have made it.
I am a bigger-picture manager because I've lived through something that's a big picture.
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