The life of a designer is a life of fight. Fight against the ugliness. Just like a doctor fights against disease. For us, the visual disease is what we have around, and what we try to do is cure it somehow with design.
Massimo VignelliRead
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The life of a designer is a life of fight. Fight against the ugliness. Just like a doctor fights against disease. For us, the visual disease is what we have around, and what we try to do is cure it somehow with design.
Create your own visual style... let it be unique for yourself and yet identifiable for others.
There's design, and there's art. Good design is total harmony. There's no better designer than nature - if you look at a branch or a leaf, it's perfect. It's all function. Art is different. It's about emotion. It's about suffering and beauty - but mostly suffering!
I just use fashion as an excuse to talk about politics. Because I'm a fashion designer, it gives me a voice, which is really good.
It could be that at some earlier time, somewhere in the universe, a civilization evolved by probably some kind of Darwinian means to a very, very high level of technology- and designed a form of life that they seeded onto perhaps this planet. And I suppose it's possible that you might find evidence for that if you look at the details of biochemistry, molecular biology, you might find a signature of some sort of designer.
The hidden hand of the market will never work without a hidden fist -- McDonald's cannot flourish without McDonnell Douglas, the builder of the F-15. And the hidden fist that keeps the world safe for Silicon Valley's technologies is called the United States Army, Air Force, Navy and Marine Corps.
Designers take care of everything around us. Everything that is around us, this table, this chair, this lamp, this pen has been designed. All of these things, everything has been designed by somebody.
Be the designer of your own destiny.
If people keep buying poorly designed products, manufacturers and designers will think they are doing the right thing and continue as usual.
It is not enough to have a talented designer; the management must be inspired too. The creative process is very disorganised; the production process has to be very rational.
I have been a designer all my life, and design, for me, is to share love and trust and show the future in a beautiful way. I have worked on this principle all my life.
Over the years I have learned that what is important in a dress is the woman who is wearing it.
The more statistically improbable a thing is, the less we can believe that it just happened by blind chance. Superficially, the obvious alternative to chance is an intelligent Designer.
The dress must follow the body of a woman, not the body following the shape of the dress.
If you think it's expensive to hire a professional to do the job, wait until you hire an amateur.
Designers want me to dress like Spring, in billowing things. I don't feel like Spring. I feel like a warm red Autumn.
I've had my own moments in front of designers when I've actually said, 'You know, there's a market here for expanding your work, and here it is. And frankly, there are two markets: The women who are larger than the 12, and then there are women who are petite. And most designers that I talk to have absolutely no interest in addressing either of those populations, which I find repugnant.
We were both very much the same. We were both very impulsive. We both loved life. We both loved shopping. We both had a love of clothes, obviously, because he was the designer that I kind of wore forever and ever.
Fashion has become a joke. The designers have forgotten that there are women inside the dresses.
It's inevitable that we'll have some form of designer children, fueled not just by the science but by parents' hard-wired desire to give their children every advantage.
If you are a new, upcoming designer, you've got to think of new, cool ways to make the industry look at you. Don't just get stuck in a rut, show your clothes, and be like, 'You should like this.'
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