Was it always my nature to take a bad time and block out the good times, until any success became an accident and failure seemed the only truth?
Lillian HellmanRead
They're fancy talkers about themselves, writers. If I had to give young writers advice, I would say don't listen to writers talking about writing or themselves.
Interpretation
Writers should focus on their own work rather than getting caught up in the opinions of other writers.
Lillian Hellman's quote emphasizes the importance of individual expression and the risk of being influenced by others in a field that thrives on personal perspective. She advises young writers to concentrate on their unique voice and experiences instead of being distracted by the discussions surrounding writing or writer personas, which may lead them away from their authentic creativity.
In practice
In a writing workshop, to encourage participants to trust their voices.
Was it always my nature to take a bad time and block out the good times, until any success became an accident and failure seemed the only truth?
If I had to give young writers advice, I would say don't listen to writers talking about writing or themselves.
It is best to act with confidence, no matter how little right you have to it.
If you believe, as the Greeks did, that man is at the mercy of the gods, then you write tragedy. The end is inevitable from the beginning. But if you believe that man can solve his own problems and is at nobody's mercy, then you will probably write melodrama.
Nobody knows what you want except you. And nobody will be as sorry as you if you don't get it. Wanting some other way to live is proof enough of deserving it. Having it is hard work, but not having it is sheer hell.
Failure in the theater is more dramatic and uglier than any other form of writing. It costs so much, you feel so guilty.
To handle a language skillfully is to practice a kind of evocative sorcery.
If there is anything that we wish to change in the child, we should first examine it and see whether it is not something that could better be changed in ourselves.
As a reader, you’re often inside one or more character heads, so you know what they’re feeling, even if they can’t exactly say it, or they say it so obliquely that the other characters don’t catch it. Readers are frequently reminded of the gulf between what people say and what they mean, and such moments prod us to become more attuned to gesture, tone, and language.
People from my sort of background needed Grammar schools to compete with children from privileged homes like Shirley Williams and Anthony Wedgwood Benn.
I'm not comfortable being preachy, but more people need to start spending as much time in the library as they do on the basketball court.
Humor is the oxygen of children's literature. There's a lot of competition for children's time, but even kids who hate to read want to read a funny book.
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