Memories, impressions and emotions from the first 20 years on earth are most writers' main material; little that comes afterward is quite so rich and resonant.
John UpdikeRead
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Memories, impressions and emotions from the first 20 years on earth are most writers' main material; little that comes afterward is quite so rich and resonant.
Emotions are contagious. We've all known it experientially. You know after you have a really fun coffee with a friend, you feel good. When you have a rude clerk in a store, you walk away feeling bad.
What emotions would we experience if we weren't working ourselves to death? What wishes drive us? What fantasies hitch themselves to our continual busyness? Only when we step away from our frenzy can we know.
Love isn't any one good thing; it's a very, very strange mishmash of emotions. Your love for somebody is, oftentimes, informed by the terrible things you might believe about yourself, and comparatively, the person you see them as is everything that you're not.
One of the key qualities a leader must possess is the ability to detach from the chaos, mayhem, and emotions in a situation and make good, clear decisions based on what is actually happening.
When you've been raised in a home of love, and for your loved one to be taken away from you through violence, a lot of emotions go through your mind.
There is no reason why a serious film, one about life, can't be enjoyable, maybe even fun. Emotions can be very entertaining, you know. I try to use them generously in my films.
I like to write about love and love lost because I feel like there are so many different subcategories of emotions that you can possibly delve into.
Even though people may be well known, they hold in their hearts the emotions of a simple person for the moments that are the most important of those we know on earth: birth, marriage and death.
Debt collectors like to play on your emotions because they think you'll give in and do something you can't really afford to do. Most of them don't care about you or your situation as long as they get some money.
The word 'yoga' means skill - skill to live your life, to manage your mind, to deal with your emotions, to be with people, to be in love and not let that love turn into hatred.
The degree of one's emotions varies inversely with one's knowledge of the facts.
Fascism says what you and I experience as facts or what reporters experience as facts are irrelevant. All that matters are impressions and emotions and myths.
I am one of those people who are out of touch with their emotions. I tend to treat my emotions like unpleasant relatives - a long-distance call once or twice or year is more than enough. If I got in touch with them, they might come to stay.
There are a series of emotions that most survivors go through after disclosing. It starts with feeling great, like the weight on your shoulders has been lifted, and then you're alone with your thoughts, like, 'Why did I do that?' And then, what about the person who gets backlash?
We're human beings, and we want stories. We're always going to be entertained and have our emotions touched by humanity and by things that we recognize in our own lives. So whilst every now and again we'll be happy to watch a bubblegum film, it's never gonna be the only things that get made.
If your work isn't exciting, doesn't stir the emotions, where's the challenge? Where's the progress if you always play it safe?
That's the world we live in: when it comes to economics, people have emotions; it's not like chemistry or physics.
When you take something that's inert, and through motion, give it life, make it appear to be alive, living, breathing thinking and having emotions, that's animation. But when you take something that's live-action, and move a part of it, that's a special effect.
I'm one of those introverted people who simply feels a lot better after spending time alone thinking through ideas and emotions. This is a sign, I've come to think, of a kind of emotional disturbance - a reaction to inner fragility. I wish I were more able to just act and do, rather than constantly have to retreat and examine and think.
It was - I'm very didactic in my lyrics, but I've always been drawn to mock my own emotions, and so I write this very lyric-heavy stuff, which suits theater and comedy much more than it suits pop.
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