The victimization of children is nowhere forbidden; what is forbidden is to write about it.
Alice MillerRead
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The victimization of children is nowhere forbidden; what is forbidden is to write about it.
The abortion cases produced an enormous amount of mail to my chambers, vastly more than to the other chambers, I am sure. I sometimes thought there wasn't a woman in the United States who didn't write me a letter on one side or the other of that issue.
I have to have a character worth caring about. I tend not to start writing books about people I don't have a lot of sympathy for because I'm just going to be with them too long.
Genius gives birth, talent delivers. What Rembrandt or Van Gogh saw in the night can never be seen again. Born writers of the future are amazed already at what they're seeing now, what we'll all see in time for the first time, and then see imitated many times by made writers.
One of the things that writing has taught me is that fiction has a life of its own. Fictional places are sometimes more real than the view from our bedroom window. Fictional people can sometimes become as close to us as our loved ones.
You don't write because someone sets assignments! You write because you need to write, or because you hope someone will listen or because writing will mend something broken inside you or bring something back to life.
If you can still write in spite of the fact that you're not getting paid, that nobody cares about what you're writing, that nobody wants to publish it, that everybody is telling you to do something else, and you still want to and you still enjoy it and you can't stop doing it...then you're a writer.
I think writing about unhappiness is probably the source of my popularity, if I have any - after all, most people are unhappy, don't you think?
Silence has many advantages…I write and draw in my notebook and I read anything I please.
The danger that keeps me just a little frightened with every book I write, however, is that I'll overreach myself once too often and try to write a story that I'm just plain not talented or skilful enough to write. That's the dilemma every storyteller faces. It is painful to fail. But it is far sadder when a storyteller stops wanting to try.
The longer I write, the more important I believe it is to write the first draft as fast as possible. In drafting, I push myself so I am at the edge of discomfort...Later, it will be time for consideration and reconsideration, slow, careful revision and editing. But on the first draft I have to achieve velocity, just as you do if you want the bike to balance.
Nothing matters but the writing. There has been nothing else worthwhile... a stain upon the silence.
Writing is like making love. Don't worry about the orgasm, just concentrate on the process.
Imagination is the real and eternal world of which this vegetable universe is but a faint shadow.
In Algeria, I had begun to get into literature and philosophy. I dreamed of writing-and already models were instructing the dream, a certain language governed it.
I am glad there are things in the Bible I do not understand. If I could take that book up and read it as I would any other book, I might think I could write a book like that.
A writer is someone who can make a riddle out of an answer.
I never meant to be a sexual object for anyone but my husband. I never thought a picture of my body would be tacked up in men’s bathrooms. I hate men looking at me and thinking what they think. And I know what they think. They write and tell me.
I write to create red in a world that often appears black and white.
I write because it is dangerous, a bloody risk, like love, to form the words, to say the words, to touch the source, to be touched, to reveal how vulnerable we are, how transient.
I write as a witness to what I have seen.
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