The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
Henri Cartier-BressonRead
Photography is an immediate reaction, drawing is a meditation.
Interpretation
Photography captures spontaneous moments while drawing requires thoughtful reflection.
This quote by Henri Cartier-Bresson contrasts two forms of visual art: photography and drawing. It suggests that photography is about capturing the immediacy of a moment, demanding quick reflexes and a keen eye, whereas drawing is a more contemplative process, allowing the artist to meditate on their subject, reflecting deeper thoughts and emotions through careful observation and creation.
In practice
During a photography workshop, to emphasize the nature of capturing moments.
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
Photography has not changed since its origin except in its technical aspects, which for me are not important.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
Just as most of us prefer to watch a trapeze artist work without a net, we like to be absolutely sure that a virtuoso is giving us our money's worth, and a seemingly effortless performance, no matter how spectacular it may be, deprives us of that slightly sadistic thrill.
I don't believe a person has a style. What people have is a way of photographing what is inside them. What is there comes out.
Before I was ever a poet, my father was writing poems about me, so it was a turning of the tables when I became a poet and started answering, speaking back to his poems in ways that I had not before.
I used to be more involved with every aspect of everything onstage. I'm way more relaxed now. It feels like anything can happen.
I'd love to just think of myself as a filmmaker, and I wait for the day when the modifier can be a moot point.
The important thing is not to be too comfortable when you're writing. Noise in the street? That's good. The computer goes down? That's good. All these things are good. It has to be a little bit of a struggle.
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